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Jumat, 05 Juli 2013

[The Systelien Specter]

       Back in May of 2010, my best friend, Andy, and I wanted to make a video game that we thought was going to change virtual reality gaming and the horror genre forever. We were both out of the university, me with a degree in computer programming and him with digital art design. Both of us were avid gamers. I think we played a bit of just about everything: racing, JRPG’s, MMO’s, sports, you name it. We wanted to make a game unlike anything you could get coming from overseas. You could call it an ambitious goal for a couple aspiring indie gamers, but both of us were ambitious guys.

Andy was a big fan of horror and was actually the first to come up with the idea. We had heard of the 4-Dimensional theaters that were being introduced in places like Korea and London, where you weren’t just watching a movie, but feeling it and smelling it. If the movie was set in a pine forest, there were triggers that would release the scent of pine to the audience. Likewise, if the characters were standing on the windy deck of a ship, fans, would start blowing to mimic the conditions of the movie in the theater. All of it was to create a more realistic, interactive experience for the viewer and we thought it would be awesome to try to implement that with a 4D game.

Obviously, we didn’t have the manpower to make an entire game by ourselves. We were in a lot of debt because of school and wouldn’t have been able to afford the virtual reality hardware in our wildest dreams. That, and we had no idea how to develop the technology needed to create the 4D gaming experience. Throughout the following summer, we networked like crazy, pitching our ideas to different developers, both indie and big-time. There was interest, but the 4D concept was still very much in development and no one was sure they wanted to invest time and resources in it without the assurance that it was going to hit off.

I won’t bore you with the details of how it happened, but we finally hit a breakthrough in September when an independent company called Systelien contacted us after our attempts to pitch the idea to them. They thought it had potential and were interested in on-boarding us us writers and programmers. The company itself would take the rights for the game, of course, and there would be a team that would make the final decisions during all stages of development. It was still more than we could have ever hoped for.

There was a team of 150 people, a third of which were hardware developers. The “controller” was built into a padded, inclined chair with a minimalist headset that fitted around the players eyes and ears. The joystick and buttons could be swapped on the arms to accommodate if the player was left-handed or right-handed. Really high-tech right? Where the money was really sunk was in the environmental simulators and the sensors and nodes that would be attached to the player’s body to monitor their physical status.

Like I said, the game was meant to be a horror game. We settled on the story of an unnamed character going into a haunted mansion to get rid of evil spirits and getting stalked by a demon. The most cliched plot and setting you could think of, but that was what we were going for. We wanted something that would easily be associated with fear. The idea was that the demon fed off fear and would find you more easily if you were afraid. First, it would scare and drive the character crazy and then it would kill him/her.

The monitors attached to the player analyzed the physical signs that the player was afraid (rapid heartbeat, dilated pupils, harsh breathing, clammy or sweaty skin, etc.) and use that information to determine how aggressively the demon would act. You could think of it as a social experiment; you could see how well a person would stay calm under pressure. Theoretically, a completely calm person could make it through the entire game without much danger, but the scares and the atmosphere wouldn’t let you go through the first level without making you anxious.

The real fun started once the demon came after you. We wanted to keep it subtle. No jump scares. That was cheating the player out of the experience. If you think about it, people with real paranormal experiences never report a demon breaking through a glass window and going for your throat. They report brushes against the skin, whispering in your ears, a loud sound in the distance, even tingling or electrical sensations.

Those were the kinds of things we recreated. We programmed the system to deliver these audio and sensory cues when the player reached a certain level of anxiety. The more scared you were, the more scares you received. At the beginning of the game, you might hear a heavy breathing or footsteps behind you. You might even feel cold spots as you navigated the mansion. As you progressed and became more tense, you might feel a grip on your arm (from a blood-pressure like cushion on the chair that tightened around the muscle) or a hiss directly in your ear along with the feeling of breath. It was elaborate and it took forever to produce, but when they hooked you in, it was amazing.

I had the privilege of being one to test it as it was being produced. They put me in the chair, turned off all the lights, and would play the game through the headset as well as project the images you were seeing onto a wall so that the team would see it too. The graphics were realistic they got the rooms of the mansion down to the last detail.

About a year and a half after the sensors were developed and implemented into the system, we started looking for beta testers. We started advertising in magazines and message boards for people to come in blind and play the game, giving any criticism or reporting any glitches they experienced. The majority of the feedback we received was positive and, after several revisions, we could safety say that we had a successful project.

Of peculiar note were the reports from the beta testers in which they claimed to get the feeling that someone was in the room with them or that they were getting tingling or hot/cold sensations in parts of their bodies where the nodes were not attached. The room where the chair and the interface were located were kept clear, aside from the player, as often as possible. The team was separated from the room by a one-way mirror. We would have been able to see if anyone was in the room apart from the player and in nine out of ten cases when this was reported, there was no one (the other 1/10 were when a technician was coming in to check the interface).

There times when we would disable and re-enable certain audio and sensory simulations to further test which ones gave more stimuli than others. During one play through, the player might have the cold spots and then during the next, those would be disabled. We never told the players which ones were activated and which were not. The strangest cases were when someone playing the game for the first time would report a cue when it was clearly disabled.

In one particular case, a middle-aged woman reported her hair being tugged gently. I can tell you right now, that had not been programmed into the game at that point in time. It was an odd occurrence, but one that could have easily been chocked up to the imagination. Actually, we assumed that most of cases like this were due to the power of suggestion. We just cautioned the rest of the beta testers not to talk about what they went through so that the people coming in could get as authentic an experience as possible.

As tends to happen in these situations, people started spreading rumors. Some of my favorite rumors were the ones that made the Systelien staff out to be cultists who were secretly sacrificing the beta testers to the demon portrayed in the game. I have no idea how that one held up as long as it did, since there were absolutely no reports of injuries on-or off-site and every single one of the the testers came out of the building alive. The internet and gossip does strange things to people, I guess. However, it was rumors like that that were starting to give Systelien a bad reputation. We decided it was time to bring in the media to defeat some of these rumors. We hadn’t wanted to have reporters before for fear that other gaming companies would try to copy our methods, but now seemed like as good a time as any.

We got several offers and wound up taking one from a popular gaming magazine. The reporting team came in and interviewed us about the games and the 4D techniques used. We used the opportunity to show them around the building and debunk the rumors about animal and human sacrifice. It was actually pretty funny; after the interview, the reporting team wanted to try out the game for themselves. They all had good things to say about it and when the article was published, donations and other requests for interviews began streaming in. Andy and I said we should have let the media come in sooner for all the benefits we were getting.

The more we searched Systelien’s message boards, the more we started noticing threads crop up about people who claimed they were experiencing the things in the game after they had left Systelien and gone home. They were going through the same supernatural phenomena in their every day lives as they had in the game. In every claim, they said that they would feel as though someone was getting very, very close to them, looking over their shoulders, and breathing down their necks. I guess that was one thing about the demon in the game that we had neglected to mention. It had no sense of personal space. The reports eventually involved both minor and violent poltergeist activity. And people would be going through this for days afterward. The reports helped to spread the word even more, but it didn’t help the persisting rumors that the testers were being possessed.

The most popular thread where the reports were being archived affectionately called the demon causing these incidences the Systelien Demon or the Systelien Specter. I liked the Systelien Specter better.

Then came the day when a young man, only 17-years-old (we’ll call him John), claimed that he wanted to file a lawsuit against us as he had been scratched during his time playing the game. As I remember it, John had been doing fine up until he had reached the basement of the mansion and then had screamed for us to let him out. The only evidence of the scratches were pictures taken after he had exited the building. The scratches shown on the pictures were deep and red, clearly not something that had been dealt by a human. Maybe by a machine, but an inspection of the chair revealed no sharp parts sticking out. The lawsuit was eventually dropped since there was no way to prove he hadn’t scratched himself prior to coming in. It’s not like we do a full body examination before sitting our testers down into the chair.

It was at this point we decided to stop bringing in random beta testers and test the game ourselves for the last stages of development. I was one of the first to be strapped in. They had added so much stuff to the game play and so many more cues that I barely recognized it from the first time I had played. I remember going down the foyer staircase after exploring a series of darkened hallways lit by old Victorian-era lamps, feeling my palms sweat and the hairs on the back of my neck standing on end. The wind outside the mansion had been howling for the last half hour and it sounded like someone was whistling a funeral march.

I paused on the stairs to look at the windows, searching for any weird textures needing to be fixed, when I felt a tingling along my spine on my upper back, like someone was pressing his or her chest against my back. It wasn’t just in the game, I could feel the press in reality. I reached up and felt only the chair. The thing that really set me off, though, was the voice that spoke my name in my ear. It was whispered and very clear, no mistaking it for the wind. I spun the camera around, though I knew there would be nothing to see. The demon had always been invisible. Now I knew why some of our testers had joked about feeling violated while playing.

I just assumed Andy had played a joke on me, but he swore up and down that he didn’t put any coding in the game for the demon to say the player’s name. That would have been my department, not his. He just designed skins. Still, I remained convinced that someone was just having fun with me. There wasn’t even a place to input your name! Someone must have pre-recorded it.

I played through the rest of the area and then headed home to file my report. It was another late night; I had been pulling the late shift for a couple weeks as our deadline was drawing closer. We had been having decent weather until about 2 AM, when the wind picked up and the rain was coming down in buckets. Andy and I had come from the Midwest and were used to bipolar weather. I just worked on and payed it no mind.

Until the power went out, anyway. I grabbed my flashlight, feeling all the anxiety from my time in the game returning. This was a different story, though, and I knew that. My house wasn’t haunted and I had never believed in ghosts for my entire life. My brain said it was ridiculous, but my pounding heart told a different story.

I couldn’t help but feel every draft and hear every creak of the floorboards as I went down to the generator (which, of course, was in the cellar). The wooden steps lead me down into the darkness and I have to admit that, by the time I reached the concrete, I was considering just going back upstairs and burrowing myself into my bed. I forced myself to cross the floor to the generator and turn it on. Immediately, the back-up lights flickered on, casting a red hue over the dusty shelves and rusty tools on the work bench. So, now I got to be in hell, too.

The way back wasn’t nearly as bad as the way down and I reminded myself that everything I had experienced in the game had been just that, in the game. There was nothing to worry about. The demon – the Systelien Specter, or whatever – was an enemy made out of ones and zeroes. It couldn’t do anything to me.

I was halfway up the stairs (about at the same point I had been in the game when I had heard my name, actually) when I distinctly felt someone tightly grab my wrists. As in, squeezing-like-my-wrists-were-being-juiced tight. I screamed and dropped the flashlight, which went off on impact. There was no one there, but I still slapped at where I imagined the hand had come from and clamored up the stairs. I didn’t stop until I was out the front door and in my driveway, getting drenched and not caring. I whipped out my cell phone and punched in Andy’s number.

He said he knew how I felt. During his test play through, he had accidentally backed his character into a fire since he had been so busy keeping an eye on the rest of the room. We had all laughed at the mistake, but he hadn’t mentioned the fact that after we had taken him out of the game, he had felt a burning in his lower calf. Later, when he looked at his leg after getting home, he discovered he had a first-degree burn right where his character had touched the fire. I drove to his house and looked at his leg myself. He had already spread ointment on the area and bandaged it up, but when he pulled it back, I was staring at a red and swollen burn wound.

Out of morbid curiosity, I called the other members of our team who had tested the game that day. It was the same story all around. In the game, Jill had stood in front of a window that had shattered and then cut her hands while picking up the jagged pieces of a ceramic vase had suddenly fallen to the floor. Matthew’s character had been crushed by a falling bookshelf and then, when he had been getting into his car, his door had closed when he wasn’t ready and three fingers had been broken. I looked at my wrists again, where dark, purplish bruises were forming. These couldn’t be coincidences any more. I didn’t know what was going on, but it wasn’t just a game any more.

The next day was a holiday, so everyone at Systelien was off. I invited anyone willing to go back to the game room to try and play through the game one more time. Andy and I had gone through the possibilities. The point of the entire game had been for the character to go into the mansion to exorcise the demon. They could do it by collected special candles and then lighting them in a circle in the attic of the mansion. After some other steps were done, the demons would be forced out of the house and everything would go back to normal. It had been a crazy night and at any other time, I thought we would have been crazy for discussing these things. We thought that maybe, by completing the game and, by extension, the ritual, we could stop whatever the hell was going on. After all, no one, to this day, had ever finished the game from beginning to end.

The game was as complete as it was ever going to be. Andy volunteered to play, for which I was grateful. Maybe it was cowardly, but I didn’t want to be the one to go in. The room was frigidly cold as we attached the nodes. We threw a blanket over Andy to make sure he didn’t freeze. The rest of us (five, in total, not including Matthew, who had gone to the hospital to treat his hand) gathered behind the one-way glass to watch.

It was eerie, watching his progress through the game. I knew all of those corridors so well, having labored over their game files for months. Yet, now, everything looked new, now that I was sure that I knew what the game was capable of. I watched Andy’s heart rate rise and fall on my monitor. His skin-temperature-analyzers went haywire as he rounded every corner. As was supposed to happen, he felt the demon close in when his fear spiked. But this time around, its interactions were low-key, almost subdued. I fought against my suspicion that it was just biding its time. The demon was made of ones and zeroes. Numbers can’t hurt anyone. I thought this even as I rubbed my bruised wrists.

It took four hours for Andy to make it all the way through. He didn’t even take a bathroom break. He just wanted to get this done as much as we did. He crept through the halls, doing his best to keep calm despite the advances of the demon. He collected the six candles needed for the ritual and made his way up to the attic.

Then, things started happening that were definitely not in the programming. The paintings and potted plants in the game began shaking and flying off the walls, clearly aimed for his character. In the safety of the monitoring room, two filing cabinets overturned before sliding across the floor and knocking down two staff members. Wires attached to the wall disconnected and sprayed sparks around the room. Grabbing a fire extinguisher, I prepared to extinguish any flames that cropped up.

Andy had placed the candles on the floor of the attic and was using an old lighter to light them. He was able to get the fourth candle lit before he suddenly bucked in his chair, screaming for us to stop the game. When we rushed in, I saw his hands flailing, as though he was trying to tear off the nodes and sensors glued to his body. Maybe that was part of it, but when I got a closer look, I realized he was fighting with something invisible that was holding him down on the chair. His shirt and face had been slashed and blood dribbled from the wounds. I was afraid I was going to break his arm since I was pulling so hard to get him off the chair. Finally, we got him free and out of the room, slamming the door behind us. Andy’s character had already died and the ‘Game Over’ screen mocked us as we scrambled to call an ambulance.

I didn’t sleep for the rest of the day and the following night as I waited in the hospital. Andy’s wounds were worse than we thought. There was a a massive amount of internal bleeding that we hadn’t known about. The doctors tried to stem the blood loss with transfusions, but their efforts were for nothing. Andy passed away early in the morning.

A week later, I saw a news special about the death and its connection to the game and Systelien. I couldn’t blame whomever had blabbed. The police blamed Andy’s death on the system malfunctioning, as though that could explain the scratches and the internal trauma. Our supervisors didn’t care. They ordered the project to be shut down and I was grateful. I never wanted to see that game again. The only way I was ever going back to the Systelien building was if that room was demolished and the chair dismantled. Though, to be honest, I wouldn’t have been surprised if anyone who tried to take it apart was attacked as well.

I left the company when the announcement was made that the game would be discontinued. People on the forums expressed everything from disappointment to relief. The game was over.

For weeks, I couldn’t stop glancing over my shoulder. I moved away from the town and the memories I had of Andy. My co-workers held a farewell party for me, despite the fact that they probably had the right to blame me for everything. They said that I had helped make a game that would never be forgotten by anyone who played it.

That was all well and good, but I was desperate to forget and spent the rest of my life trying to do so. I was always keeping two eyes on the shadows and jumping at every little creak. There was this little fear that I would hear my name whispered in my ear again, which would mean that whatever I had created had followed me, and I never wanted to think about that possibility.

The only thing I could do was try to sleep and ignore the times when I felt an invisible, clammy hand stroke my face.

Jumat, 21 Juni 2013

[The Thump]


I
sat up in the darkness of my room, frightened. Some noise from the land of the waking had jolted me out of unconsciousness. Groggy, I reached across to the nightstand, turning my alarm clock toward my face. The dim numbers read 3 AM, and I groaned. So much for a good night's sleep. Forgetting what had awoken me, I rolled over and settled back into bed...but there it was again. It was a thump from the attic above me, loud and deliberate. There was another. It sounded as though someone (for surely it was a person, no house settles in a manner so resembling footsteps) was attempting to make me aware of his presence, almost toying with me. I bolted upright, adrenaline pumping. Someone was in my house.

The thumping stopped somewhere above my closet. Slowly, I stood up in the darkness of my room, the illumination of the alarm clock extending no further than the night stand upon which it sat. Slowly, I worked my way out of my room and down the hall, heading for the storage closet, and grabbed my old bat. I retreated down the hall to stare, waiting, at the trap-door into the attic. Whoever the intruder was, he wasn't going anywhere.

I held my breath, waiting for any noise, any sign of life. Nothing. Heart racing, I slowly approached and pulled down the ladder. The light was on in the attic. I wasn't sure if I'd left it that way. I climbed up as quietly as I could and peeked into the room, only to be confronted with...nothing. There was nothing there at all, just the old crap I'd left up in storage. I sighed, relieved. I must've been imagining things. It's easy to convince yourself you're hearing things when you're alone in the dark. Laughing, I shut off the lights behind me and went to lie down.

I closed my eyes, thinking on how ridiculous I had been, then...thump. It was closer now. It was just as loud as I'd heard it before, though closer now to the center of the room. I jumped out of bed, less frightened than angry, and rushed up the ladder, bat in hand. I kicked over boxes, swung at shadows at old clothing. There was nothing. There was no one there. I rubbed at my temples, climbing down the ladder and back towards my room. There must have been too much stress at work. I must have been imagining things. Maybe I'd take the day off tomorrow. I felt strange as I approached my door. A sense of dread washed through me and I hesitated, hand outstretched towards the doorknob. I groaned. I was being stupid. I'd probably feel better after I got some sleep. Fingers rubbing the bridge of my nose, I blindly flicked on the light-switch and made my way towards my bed. I slumped down onto the edge, rubbing my eyes. I was so tired. I had to stop being paranoid.

Thump.

I jerked my hands away from my face, whipping around to glare once more towards the attic. With the light on, I could see it. It was a grotesque mockery of the human form, bent and twisted, head facing the wrong way, and empty sockets where the eyes should have been. Slowly, deliberately, it lifted a hand. It grinned as it slapped it down with a thump, dragging itself closer to me.

Thump.

I give a panicked laugh as it smashes the bare bulb that is my only source of light, shrouding the room in darkness. I'm not insane. How could I have known?

THUMP. 

Selasa, 18 Juni 2013

[The Fall of the House of Usher]

Disclaimer: Edgar Allan Poe
"The Fall of the House of Usher" Made By : Edgar Allan Poe [1839]
Title : "The Fall of the House of Usher"

D
uring the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it--I paused to think--what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down--but with a shudder even more thrilling than before--upon the remodelled and inverted images of the grey sedge, and the ghastly tree-stems, and the vacant and eye-like windows.

Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country--a letter from him--which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS gave evidence of nervous agitation. The writer spoke of acute bodily illness--of a mental disorder which oppressed him--and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said--it was the apparent heart that went with his request--which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very singular summons.

Although, as boys, we had been even intimate associates, yet I really knew little of my friend. His reserve had been always excessive and habitual. I was aware, however, that his very ancient family had been noted, time out of mind, for a peculiar sensibility of temperament, displaying itself, through long ages, in many works of exalted art, and manifested, of late, in repeated deeds of munificent yet unobtrusive charity, as well as in a passionate devotion to the intricacies, perhaps even more than to the orthodox and easily recognisable beauties of musical science. I had learned, too, the very remarkable fact, that the stem of the Usher race, all time-honoured as it was, had put forth, at no period, any enduring branch; in other words, that the entire family lay in the direct line of descent, and had always, with very trifling and very temporary variation, so lain. It was this deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other--it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the "House of Usher"--an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion.

I have said that the sole effect of my somewhat childish experiment--that of looking down within the tarn--had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my supersition--for why should I not so term it?--served mainly to accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis. And it might have been for this reason only, that, when I again uplifted my eyes to the house itself, from its image in the pool, there grew in my mind a strange fancy--a fancy so ridiculous, indeed, that I but mention it to show the vivid force of the sensations which oppressed me. I had so worked upon my imagination as really to believe that about the whole mansion and domain there hung an atmosphere peculiar to themselves and their immediate vicinity--an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the grey wall, and the silent tarn--a pestilent and mystic vapour, dull, sluggish, faintly discernible, and leaden-hued

Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinizing observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn. 

Noticing these things, I rode over a short causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me--while the carvings of the ceilings, the sombre tapestries of the walls, the ebon blackness of the floors, and the phantasmagoric armorial trophies which rattled as I strode, were but matters to which, or to such as which, I had been accustomed from my infancy--while I hesitated not to acknowledge how familiar was all this--I still wondered to find how unfamiliar were the fancies which ordinary images were stirring up. On one of the staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and perplexity. He accosted me with trepidation and passed on. The valet now threw open a door and ushered me into the presence of his master.

The room in which I found myself was very large and lofty. The windows were long, narrow, and pointed, and at so vast a distance from the black oaken floor as to be altogether inaccessible from within. Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around; the eye, however, struggled in vain to reach the remoter angles of the chamber, or the recesses of the vaulted and fretted ceiling. Dark draperies hung upon the walls. The general furniture was profuse, comfortless, antique, and tattered. Many books and musical instruments lay scattered about, but failed to give any vitality to the scene. I felt that I breathed an atmosphere of sorrow. An air of stern, deep, and irredeemable gloom hung over and pervaded all.

Upon my entrance, Usher rose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality--of the constrained effort of the ennuye man of the world. A glance, however, at his countenance, convinced me of his perfect sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely-moulded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity; these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous lustre of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.

In the manner of my friend I was at once struck with an incoherence--an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy--an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain boyish traits, and by conclusions deduced from his peculiar physical conformation and temperament. His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision (when the animal spirits seemed utterly in abeyance) to that species of energetic concision--that abrupt, weighty, unhurried, and hollow-sounding enunciation--that leaden, self-balanced and perfectly modulated guttural utterance, which may be observed in the lost drunkard, or the irreclaimable eater of opium, during the periods of his most intense excitement.

It was thus that he spoke of the object of my visit, of his earnest desire to see me, and of the solace he expected me to afford him. He entered, at some length, into what he conceived to be the nature of his malady. It was, he said, a constitutional and a family evil, and one for which he despaired to find a remedy--a mere nervous affection, he immediately added, which would undoubtedly soon pass off. It displayed itself in a host of unnatural sensations. Some of these, as he detailed them, interested and bewildered me; although, perhaps, the terms, and the general manner of the narration had their weight. He suffered much from a morbid acuteness of the senses; the most insipid food was alone endurable; he could wear only garments of certain texture; the odours of all flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did not inspire him with horror.

To an anomalous species of terror I found him a bounden slave. "I shall perish," said he, "I must perish in this deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect--in terror. In this unnerved--in this pitiable condition--I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR."

I learned, moreover, at intervals, and through broken and equivocal hints, another singular feature of his mental condition. He was enchained by certain superstitious impressions in regard to the dwelling which he tenanted, and whence, for many years, he had never ventured forth--in regard to an influence whose supposititious force was conveyed in terms too shadowy here to be re-stated--an influence which some peculiarities in the mere form and substance of his family mansion, had, by dint of long sufferance, he said, obtained over his spirit--an effect which the physique of the grey walls and turrets, and of the dim tarn into which they all looked down, had, at length, brought about upon the morale of his existence.

He admitted, however, although with hesitation, that much of the peculiar gloom which thus afflicted him could be traced to a more natural and far more palpable origin--to the severe and long-continued illness--indeed to the evidently approaching dissolution--of a tenderly beloved sister--his sole companion for long years--his last and only relative on earth. "Her decease," he said, with a bitterness which I can never forget, "would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers." While he spoke, the lady Madeline (for so was she called) passed slowly through a remote portion of the apartment, and, without having noticed my presence, disappeared. I regarded her with an utter astonishment not unmingled with dread--and yet I found it impossible to account for such feelings. A sensation of stupor oppressed me, as my eyes followed her retreating steps. When a door, at length, closed upon her, my glance sought instinctively and eagerly the countenance of the brother--but he had buried his face in his hands, and I could only perceive that a far more than ordinary wanness had overspread the emaciated fingers through which trickled many passionate tears.

The disease of the lady Madeline had long baffled the skill of her physicians. A settled apathy, a gradual wasting away of the person, and frequent although transient affections of a partially cataleptical character, were the unusual diagnosis. Hitherto she had steadily borne up against the pressure of her malady, and had not betaken herself finally to bed; but, on the closing in of the evening of my arrival at the house, she succumbed (as her brother told me at night with inexpressible agitation) to the prostrating power of the destroyer; and I learned that the glimpse I had obtained of her person would thus probably be the last I should obtain--that the lady, at least while living, would be seen by me no more.

For several days ensuing, her name was unmentioned by either Usher or myself: and during this period I was busied in earnest endeavours to alleviate the melancholy of my friend. We painted and read together; or I listened, as if in a dream, to the wild improvisations of his speaking guitar. And thus, as a closer and still closer intimacy admitted me more unreservedly into the recesses of his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an inherent positive quality, poured forth upon all objects of the moral and physical universe, in one unceasing radiation of gloom.

I shall ever bear about me a memory of the many solemn hours I thus spent alone with the master of the House of Usher. Yet I should fail in any attempt to convey an idea of the exact character of the studies, or of the occupations, in which he involved me, or led me the way. An excited and highly distempered ideality threw a sulphureous lustre over all. His long improvised dirges will ring for ever in my ears. Among other things, I hold painfully in mind a certain singular perversion and amplification of the wild air of the last waltz of Von Weber. From the paintings over which his elaborate fancy brooded, and which grew, touch by touch, into vagueness at which I shuddered the more thrillingly, because I shuddered knowing not why;--from these paintings (vivid as their images now are before me) I would in vain endeavour to educe more than a small portion which should lie within the compass of merely written words. By the utter simplicity, by the nakedness of his designs, he arrested and overawed attention. If ever mortal painted an idea, that mortal was Roderick Usher. For me at least--in the circumstances then surrounding me--there arose out of the pure abstractions which the hypochondriac contrived to throw upon his canvas, an intensity of intolerable awe, no shadow of which felt I ever yet in the contemplation of the certainly glowing yet too concrete reveries of Fuseli.

One of the phantasmagoric conceptions of my friend, partaking not so rigidly of the spirit of abstraction, may be shadowed forth, although feebly, in words. A small picture presented the interior of an immensely long and rectangular vault or tunnel, with low walls, smooth, white, and without interruption or device. Certain accessory points of the design served well to convey the idea that this excavation lay at an exceeding depth below the surface of the earth. No outlet was observed in any portion of its vast extent, and no torch, or other artificial source of light was discernible; yet a flood of intense rays rolled throughout, and bathed the whole in a ghastly and inappropriate splendour.

I have just spoken of that morbid condition of the auditory nerve which rendered all music intolerable to the sufferer, with the exception of certain effects of stringed instruments. It was, perhaps, the narrow limits to which he thus confined himself upon the guitar, which gave birth, in great measure, to the fantastic character of the performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasias (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more forcibly impressed with it, as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher, of the tottering of his lofty reason upon her throne. The verses, which were entitled "The Haunted Palace," ran very nearly, if not accurately, thus:

---
I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace--Radiant palace--reared its head. In the monarch Thought's dominion--It stood there! Never seraph spread a pinion Over fabric half so fair.

II. Banners yellow, glorious, golden, On its roof did float and flow; (This--all this--was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odour went away.

III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute's well tuned law, Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen.

IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king.

V. But evil things, in robes of sorrow, Assailed the monarch's high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story, Of the old time entombed.

VI. And travellers now within that valley, Through the red-litten windows, see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh--but smile no more.
---

I well remember that suggestions arising from this ballad, led us into a train of thought wherein there became manifest an opinion of Usher's which I mention not so much on account of its novelty (for other men* have thought thus,) as on account of the pertinacity with which he maintained it. This opinion, in its general form, was that of the sentience of all vegetable things. But, in his disordered fancy, the idea had assumed a more daring character, and trespassed, under certain conditions, upon the kingdom of inorganization. I lack words to express the full extent, or the earnest abandon of his persuasion. The belief, however, was connected (as I have previously hinted) with the gray stones of the home of his forefathers. The conditions of the sentience had been here, he imagined, fulfilled in the method of collocation of these stones--in the order of their arrangement, as well as in that of the many fungi which overspread them, and of the decayed trees which stood around--above all, in the long undisturbed endurance of this arrangement, and in its reduplication in the still waters of the tarn. Its evidence--the evidence of the sentience--was to be seen, he said, (and I here started as he spoke,) in the gradual yet certain condensation of an atmosphere of their own about the waters and the walls. The result was discoverable, he added, in that silent, yet importunate and terrible influence which for centuries had moulded the destinies of his family, and which made him what I now saw him--what he was. Such opinions need no comment, and I will make none.

Our books--the books which, for years, had formed no small portion of the mental existence of the invalid--were, as might be supposed, in strict keeping with this character of phantasm. We pored together over such works as the Ververt et Chartreuse of Gresset; the Belphegor of Machiavelli; the Heaven and Hell of Swedenborg; the Subterranean Voyage of Nicholas Klimm by Holberg; the Chiromancy of Robert Flud, of Jean D'Indagine, and of De la Chambre; the Journey into the Blue Distance of Tieck; and the City of the Sun by Campanella. One favourite volume was a small octavo edition of the Directorium Inquisitorum, by the Dominican Eymeric de Gironne; and there were passages in Pomponius Mela, about the old African Satyrs and OEgipans, over which Usher would sit dreaming for hours. His chief delight, however, was found in the perusal of an exceedingly rare and curious book in quarto Gothic--the manual of a forgotten church--the Vigiliae Mortuorum Secundum Chorum Ecclesiae Maguntina. 

I could not help thinking of the wild ritual of this work, and of its probable influence upon the hypochondriac, when, one evening, having informed me abruptly that the lady Madeline was no more, he stated his intention of preserving her corpse for a fortnight, (previously to its final interment), in one of the numerous vaults within the main walls of the building. The worldly reason, however, assigned for this singular proceeding, was one which I did not feel at liberty to dispute. The brother had been led to his resolution (so he told me) by consideration of the unusual character of the malady of the deceased, of certain obtrusive and eager inquiries on the part of her medical men, and of the remote and exposed situation of the burial-ground of the family. I will not deny that when I called to mind the sinister countenance of the person whom I met upon the staircase, on the day of my arrival at the house, I had no desire to oppose what I regarded as at best but a harmless, and by no means an unnatural, precaution.

At the request of Usher, I personally aided him in the arrangements for the temporary entombment. The body having been encoffined, we two alone bore it to its rest. The vault in which we placed it (and which had been so long unopened that our torches, half smothered in its oppressive atmosphere, gave us little opportunity for investigation) was small, damp, and entirely without means of admission for light; lying, at great depth, immediately beneath that portion of the building in which was my own sleeping apartment. It had been used, apparently, in remote feudal times, for the worst purposes of a donjon-keep, and, in later days, as a place of deposit for powder, or some other highly combustible substance, as a portion of its floor, and the whole interior of a long archway through which we reached it, were carefully sheathed with copper. The door, of massive iron, had been, also, similarly protected. Its immense weight caused an unusually sharp grating sound, as it moved upon its hinges.

Having deposited our mournful burden upon tressels within this region of horror, we partially turned aside the yet unscrewed lid of the coffin, and looked upon the face of the tenant. A striking similitude between the brother and sister now first arrested my attention; and Usher, divining, perhaps, my thoughts, murmured out some few words from which I learned that the deceased and himself had been twins, and that sympathies of a scarcely intelligible nature had always existed between them. Our glances, however, rested not long upon the dead--for we could not regard her unawed. The disease which had thus entombed the lady in the maturity of youth, had left, as usual in all maladies of a strictly cataleptical character, the mockery of a faint blush upon the bosom and the face, and that suspiciously lingering smile upon the lip which is so terrible in death. We replaced and screwed down the lid, and, having secured the door of iron, made our way, with toil, into the scarcely less gloomy apartments of the upper portion of the house.

And now, some days of bitter grief having elapsed, an observable change came over the features of the mental disorder of my friend. His ordinary manner had vanished. His ordinary occupations were neglected or forgotten. He roamed from chamber to chamber with hurried, unequal, and objectless step. The pallor of his countenance had assumed, if possible, a more ghastly hue--but the luminousness of his eye had utterly gone out. The once occasional huskiness of his tone was heard no more; and a tremulous quaver, as if of extreme terror, habitually characterized his utterance. There were times, indeed, when I thought his unceasingly agitated mind was labouring with some oppressive secret, to divulge which he struggled for the necessary courage. At times, again, I was obliged to resolve all into the mere inexplicable vagaries of madness, for I beheld him gazing upon vacancy for long hours, in an attitude of the profoundest attention, as if listening to some imaginary sound. It was no wonder that his condition terrified--that it infected me. I felt creeping upon me, by slow yet certain degrees, the wild influences of his own fantastic yet impressive superstitions.

It was, especially, upon retiring to bed late in the night of the seventh or eighth day after the placing of the lady Madeline within the donjon, that I experienced the full power of such feelings. Sleep came not near my couch--while the hours waned and waned away. I struggled to reason off the nervousness which had dominion over me. I endeavoured to believe that much, if not all of what I felt, was due to the bewildering influence of the gloomy furniture of the room--of the dark and tattered draperies, which, tortured into motion by the breath of a rising tempest, swayed fitfully to and fro upon the walls, and rustled uneasily about the decorations of the bed. But my efforts were fruitless. An irrepressible tremor gradually pervaded my frame; and, at length, there sat upon my very heart an incubus of utterly causeless alarm. Shaking this off with a gasp and a struggle, I uplifted myself upon the pillows, and, peering earnestly within the intense darkness of the chamber, hearkened--I know not why, except that an instinctive spirit prompted me--to certain low and indefinite sounds which came, through the pauses of the storm, at long intervals, I knew not whence. Overpowered by an intense sentiment of horror, unaccountable yet unendurable, I threw on my clothes with haste (for I felt that I should sleep no more during the night,) and endeavoured to arouse myself from the pitiable condition into which I had fallen, by pacing rapidly to and fro through the apartment.

I had taken but few turns in this manner, when a light step on an adjoining staircase arrested my attention. I presently recognized it as that of Usher. In an instant afterwards he rapped, with a gentle touch, at my door, and entered, bearing a lamp. His countenance was, as usual, cadaverously wan--but, moreover, there was a species of mad hilarity in his eyes--an evidently restrained hysteria in his whole demeanour. His air appalled me--but anything was preferable to the solitude which I had so long endured, and I even welcomed his presence as a relief.

"And you have not seen it?" he said abruptly, after having stared about him for some moments in silence--"you have not then seen it?--but, stay! you shall." Thus speaking, and having carefully shaded his lamp, he hurried to one of the casements, and threw it freely open to the storm.

The impetuous fury of the entering gust nearly lifted us from our feet. It was, indeed, a tempestuous yet sternly beautiful night, and one wildly singular in its terror and its beauty. A whirlwind had apparently collected its force in our vicinity; for there were frequent and violent alterations in the direction of the wind; and the exceeding density of the clouds (which hung so low as to press upon the turrets of the house) did not prevent our perceiving the lifelike velocity with which they flew careering from all points against each other, without passing away into the distance. I say that even their exceeding density did not prevent our perceiving this--yet we had no glimpse of the moon or stars--nor was there any flashing forth of the lightning. But the under surfaces of the huge masses of agitated vapor, as well as all terrestrial objects immediately around us, were glowing in the unnatural light of a faintly luminous and distinctly visible gaseous exhalation which hung about and enshrouded the mansion.

"You must not--you shall not behold this!" said I, shudderingly, to Usher, as I led him, with a gentle violence, from the window to a seat. "These appearances, which bewilder you, are merely electrical phenomena not uncommon--or it may be that they have their ghastly origin in the rank miasma of the tarn. Let us close this casement;--the air is chilling and dangerous to your frame. Here is one of your favourite romances. I will read, and you shall listen;--and so we will pass away this terrible night together."

The antique volume which I had taken up was the "Mad Trist" of Sir Launcelot Canning; but I had called it a favourite of Usher's more in sad jest than in earnest; for, in truth, there is little in its uncouth and unimaginative prolixity which could have had interest for the lofty and spiritual ideality of my friend. It was, however, the only book immediately at hand; and I indulged a vague hope that the excitement which now agitated the hypochondriac, might find relief (for the history of mental disorder is full of similar anomalies) even in the extremeness of the folly which I should read. Could I have judged, indeed, by the wild overstrained air of vivacity with which he hearkened, or apparently hearkened, to the words of the tale, I might well have congratulated myself upon the success of my design.

I had arrived at that well-known portion of the story where Ethelred, the hero of the Trist, having sought in vain for peaceable admission into the dwelling of the hermit, proceeds to make good an entrance by force. Here, it will be remembered, the words of the narrative run thus:

"And Ethelred, who was by nature of a doughty heart, and who was now mighty withal, on account of the powerfulness of the wine which he had drunken, waited no longer to hold parley with the hermit, who, in sooth, was of an obstinate and maliceful turn, but, feeling the rain upon his shoulders, and fearing the rising of the tempest, uplifted his mace outright, and, with blows, made quickly room in the plankings of the door for his gauntleted hand; and now pulling therewith sturdily, he so cracked, and ripped, and tore all asunder, that the noise of the dry and hollow-sounding wood alarmed and reverberated throughout the forest."

At the termination of this sentence I started, and for a moment, paused; for it appeared to me (although I at once concluded that my excited fancy had deceived me)--it appeared to me that, from some very remote portion of the mansion, there came, indistinctly, to my ears, what might have been, in its exact similarity of character, the echo (but a stifled and dull one certainly) of the very cracking and ripping sound which Sir Launcelot had so particularly described. It was, beyond doubt, the coincidence alone which had arrested my attention; for, amid the rattling of the sashes of the casements, and the ordinary commingled noises of the still increasing storm, the sound, in itself, had nothing, surely, which should have interested or disturbed me. I continued the story:

"But the good champion Ethelred, now entering within the door, was sore enraged and amazed to perceive no signal of the maliceful hermit; but, in the stead thereof, a dragon of a scaly and prodigious demeanour, and of a fiery tongue, which sate in guard before a palace of gold, with a floor of silver; and upon the wall there hung a shield of shining brass with this legend enwritten--

Who entereth herein, a conquerer hath bin; 

Who slayeth the dragon, the shield he shall win

and Ethelred uplifted his mace, and struck upon the head of the dragon, which fell before him, and gave up his pesty breath, with a shriek so horrid and harsh, and withal so piercing, that Ethelred had fain to close his ears with his hands against the dreadful noise of it, the like whereof was never before heard."

Here again I paused abruptly, and now with a feeling of wild amazement--for there could be no doubt whatever that, in this instance, I did actually hear (although from what direction it proceeded I found it impossible to say) a low and apparently distant, but harsh, protracted, and most unusual screaming or grating sound--the exact counterpart of what my fancy had already conjured up for the dragon's unnatural shriek as described by the romancer.

Oppressed, as I certainly was, upon the occurrence of the second and most extraordinary coincidence, by a thousand conflicting sensations, in which wonder and extreme terror were predominant, I still retained sufficient presence of mind to avoid exciting, by any observation, the sensitive nervousness of my companion. I was by no means certain that he had noticed the sounds in question; although, assuredly, a strange alteration had, during the last few minutes, taken place in his demeanour. From a position fronting my own, he had gradually brought round his chair, so as to sit with his face to the door of the chamber; and thus I could but partially perceive his features, although I saw that his lips trembled as if he were murmuring inaudibly. His head had dropped upon his breast--yet I knew that he was not asleep, from the wide and rigid opening of the eye as I caught a glance of it in profile. The motion of his body, too, was at variance with this idea--for he rocked from side to side with a gentle yet constant and uniform sway. Having rapidly taken notice of all this, I resumed the narrative of Sir Launcelot, which thus proceeded:

"And now, the champion, having escaped from the terrible fury of the dragon, bethinking himself of the brazen shield, and of the breaking up of the enchantment which was upon it, removed the carcass from out of the way before him, and approached valorously over the silver pavement of the castle to where the shield was upon the wall; which in sooth tarried not for his full coming, but fell down at his feet upon the silver floor, with a mighty great and terrible ringing sound."

No sooner had these syllables passed my lips, than--as if a shield of brass had indeed, at the moment, fallen heavily upon a floor of silver--I became aware of a distinct, hollow, metallic, and clangorous, yet apparently muffled reverberation. Completely unnerved, I leaped to my feet; but the measured rocking movement of Usher was undisturbed. I rushed to the chair in which he sat. His eyes were bent fixedly before him, and throughout his whole countenance there reigned a stony rigidity. But, as I placed my hand upon his shoulder, there came a strong shudder over his whole person; a sickly smile quivered about his lips; and I saw that he spoke in a low, hurried, and gibbering murmur, as if unconscious of my presence. Bending closely over him, I at length drank in the hideous import of his words.

"Not hear it?--yes, I hear it, and have heard it. Long--long--long--many minutes, many hours, many days, have I heard it--yet I dared not--oh, pity me, miserable wretch that I am!--I dared not--I dared not speak! We have put her living in the tomb! Said I not that my senses were acute? I now tell you that I heard her first feeble movements in the hollow coffin. I heard them--many, many days ago--yet I dared not--I dared not speak! And now--to-night--Ethelred--ha! ha!--the breaking of the hermit's door, and the death-cry of the dragon, and the clangour of the shield!--say, rather, the rending of her coffin, and the grating of the iron hinges of her prison, and her struggles within the coppered archway of the vault! Oh whither shall I fly? Will she not be here anon? Is she not hurrying to upbraid me for my haste? Have I not heard her footsteps on the stair? Do I not distinguish that heavy and horrible beating of her heart? Madman!" here he sprang furiously to his feet, and shrieked out his syllables, as if in the effort he were giving up his soul--"Madman! I tell you that she now stands without the door!"

As if in the superhuman energy of his utterance there had been found the potency of a spell--the huge antique panels to which the speaker pointed, threw slowly back, upon the instant, their ponderous and ebony jaws. It was the work of the rushing gust--but then without those doors there DID stand the lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold,--then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated.

From that chamber, and from that mansion, I fled aghast. The storm was still abroad in all its wrath as I found myself crossing the old causeway. Suddenly there shot along the path a wild light, and I turned to see whence a gleam so unusual could have issued; for the vast house and its shadows were alone behind me. The radiance was that of the full, setting, and blood-red moon which now shone vividly through that once barely-discernible fissure of which I have before spoken as extending from the roof of the building, in a zigzag direction, to the base. While I gazed, this fissure rapidly widened--there came a fierce breath of the whirlwind--the entire orb of the satellite burst at once upon my sight--my brain reeled as I saw the mighty walls rushing asunder--there was a long tumultuous shouting sound like the voice of a thousand waters--and the deep and dank tarn at my feet closed sullenly and silently over the fragments of the "House of Usher".